Avoid the trap of the group show, that impossible Grail.
Discover a magic place, the symbol of an ambitious
French cultural policy with directors and teams who are passionate and stable.
Show it all majestically with the richness of its historical layers, revealing what is sometimes hidden
Assemble partners that nothing should bring together
Try to dialogue with a space not originally conceived for showing artworks
Mix established and unknown artists : no youthism, no aesthetic correctness, no quotas.
Laurent Le Bon
Vernissage vendredi 7 octobre de 18h à minuit
Mercredi, jeudi, dimanche : de 14h00 à 19h00
Vendredi, samedi : de 14h00 à 20h00
Fermé le lundi et mardi
Mercredi 21 décembre à 15h00
Accessible aux visiteurs de l’exposition
Tous les dimanches à 16h00
(sauf le 25 décembre)
Plein tarif : 4€ / Tarif réduit : 3€ *
* Etudiants, seniors, demandeurs d’emploi, membres des amis des musées, chèque crédit loisir.
Tarifs visites guidées : 40,00 €
groupe de 10 à 30 pers, 1h
Sur réservation: 03 20 28 38 04 / email@example.com
Gratuit pour les moins de 18 ans et pour tous, chaque dimanche
The While True project is articulated around the idea that the space transcribed in a photograph, a flat two-dimensional object, is a mental space. For the third dimension of the image is the result of the cerebral work done by the beholder in front of a photograph.
This project presents a bloc formed by three machines, each of which activates a camera. Like a rostrum, the cameras film a photograph in a kind of travelling shot, and can be angled so as to film the machine next to them. The filming, editing and screening all happen in real time. The installation gives the visitor an omniscient vision of the action. The editing of the film is enacted by a computer programme operating in a loop which determines the movement of the cameras, the editing and the duration.
A cross between sculpture and experimental video, the While True project plays reflectively on the process of creating and screening a film. Whereas a film director is constrained by three-dimensional space, here the photographic image takes place mainly in the space of the film. The relation between real space and fictive space in the production of images is at the heart of this project. The industrial atmosphere of the installation is also an ironic evocation of certain audiovisual products that one could imagine to have been created by machines.
François Bonenfant, Madeleine Van Doren, Daniel Dobbels, Gérard Collin-Thiébaut, Blaise Florentin Collin, Christophe Gregório, Cyprien Quairiat, Sébastien Cabour, Guillaume Libersat, Baptiste de La Gorce, Julien Guillery, Olivier Anselot, Junkai Chen, Mathias Isouard, the promotion Manuel de Oliveira, Mathilde Barbier.