Joachim Olender is a video maker and visual artist concerned with the notion of the fictional archive. He entered Le Fresnoy in 2010 and began work on a creative thesis with Paris 8. In 2014 he made La collection qui n’existait pas, a documentary about the Daled collection and conceptual art (Grand Prix, 34th Festival international du film sur l’art, Montreal). He recently made Le Chêne de Goethe, Film by Samuel Beckett, Artifices and Le Musée de Berlin. Joachim Olender works between Brussels and Paris.