Vernissage vendredi 21 septembre de 18h à minuit
Mercredi, jeudi, dimanche, 1er novembre : de 14h00 à 19h00 Vendredi, samedi, 11 novembre : de 14h00 à 20h00 Fermeture le lundi, le mardi, et le 25 décembre Les 24 et 31 décembre, fermetures à 17h.
Tarifs visites guidées : 40,00 € groupe de 10 à 30 pers, 1h Sur réservation: 03 20 28 38 04 / lmenard@lefresnoy.net
Tarif normal : 4€ Tarif réduit : 3€ (demandeurs d’emploi, étudiants, seniors) Entrée libre pour les détenteurs de la C’Art et les Amis du Fresnoy Gratuit chaque dimanche pour tous.
An ultra-connected society where waves related to new technologies have invaded almost every space. Three people who are electromagnetic hypersensitive talk about their survival within a world that seems increasingly off-limits to them. The mise-en-scène explores the idea of the deceleration of time as a necessary condition to the perception of a reality that extends beyond the visible.
Biography of the imagination: Call me Ishmael. Some years ago- never mind how long precisely- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off- then, I account it high time to get to sea as soon as I can. H. Melville, Moby Dick, 1851
Production : Le Fresnoy, Studio national des arts contemporains
Born in France in 1988. Graduated from INSAS (Belgium) in editing, from Sint-Lukas Art School (Belgium) in filmmaking and from Fresnoy (France). Ismaël Joffroy Chandoutis explores a cinema beyond the boundaries of genres. His films question memory, virtual, technology and the intermediate spaces between the worlds and between the words. He was known as a filmmaker with his film Ondes noires which has been shown in many international festivals, such as the IDFA (Netherlands), the Clermont-fd Short Film Festival, the Regensburg Short Film Festival etc. The film has also received numerous awards, including the Prix Festivals Connexion Auvergne Rhône Alpes in Clermont-Ferrand, the Grand Prix and the Youth Jury Prize at the Regensburg Festival. Ismael is also a film editor. He currently lives and works in Paris.
Master audiovisual art – École supérieure des arts Sint-Lukas, Bruxelles, Belgique. Licence montage, INSAS – Institut National Supérieur des Arts du Spectacle, Bruxelles, Belgique.
2017 Ondes noires
2016 Noir Plaisir, présenté lors de la Biennale de l’Image en Mouvement, Centre d’Art Contemporain de Genève Festival Chalon Tout Court Ficeg – Festival international du film étudiant de Grenoble
2015 Fu:bar, exposition collective, Siva Galerija, Zagreb, Croatie Sous couleur de l’oubli (Digital Memories) KurzFilm Festival Hamburg, Festival Signes de nuit, IVAHM festival… etc.
