Pedro Geraldo

Film

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Jun, a trans woman, is confronted with a vision of her own future when she has to look after her father in his hometown. Her father is elderly and partially immobilised after undergoing eye surgery in an attempt to solve a hereditary problem of sight loss. The imminence of eye degeneration meets the fear of what – quite literally – cannot be seen.

Following on from my previous work, I continue to explore visually the way in which a body positions itself in relation to others and to the landscape. In the materiality of these bodies and spaces, I am looking for a parallel with a fictional story. With this in mind, the film works on the concepts of movement and suspended time in the relationship between a body in transition (the daughter) and a body in decline (the father), both surrounded by a changing landscape.

Although this is a narrative film, the paths chosen are less conventional. Objects, landscapes and people coexist in the image without hierarchy, and the eye is guided by the details. With its lacunar framing and attention to the subtleties of the everyday life, the film touches on themes such as heredity, nature, gender and the bodily experience.

Pedro Geraldo

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Pedro Geraldo (they/them), born in 1990 in Brazil, lives in Roubaix. They graduated in film studies from FAAP in São Paulo. They have worked as a director of photography on short and feature films screened at FIDMarseille, Rotterdam and IndieLisboa. Pedro completed postgraduate studies in the discourse of contemporary photography at the University of Lisbon, and in communication and the arts at the New University of Lisbon. Their artistic researches are linked to ways of perceiving space in a constant dialogue between what is seen and what remains absent. A particular interest is the way the body is observed and how it connects to the material reality of different landscapes. *Sofia foi*, their first feature film, won the Best First Film Award at the 34th edition of FIDMarseille in 2023.

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