Promotion Jonas Mekas
She makes short films that meld elements of fiction and experimental cinema, strongly influenced by montage and electronic music.
Deep feelings make no clear distinctions between sublime and trivial mediums. She mixes different genres and mediums in the pursuit of personal expression. By inventing images and words in order to confront ignorance, that dark night of language.
Filming as a way back to the inchoate babble of language, to being, as Elysia Crampton says, “always child of something.”