Ati okuku dé imolè (De l'invisible au visible)
Éliane Aisso (BJ)
Ati okuku dé imolè (De l'invisible au visible)
Installation

Most cultures around the world have developed specific ways of remembering and keeping a trace of loved ones after death. Some use objects that may be renewed to some degree by artists or craftsmen to trigger memory. Such objects can help prevent the living from letting the memory of the dead lapse into oblivion.

While the place of the deceased and the way they are remembered is specific to each culture, the use of a special object is something that many of them share. Whether fashioned by artists or craftsmen, this object comes to represent the lost being, and serves to keep them from falling into the vertiginous void of forgetting. According to the dahomean tradition in Benin, death is what enables the individual to return to the chain that connects the gods to the living. In fact, this is simply another way of talking about ghosts as the ultimate phase before reincarnation, as in the Buddhist traditions of countries such as India, China, Japan and Korea.

This installation draws visitors into the striking world of “assen” sculptures, which are mobile altars made in wrought iron created in the old kingdom of Dahomey. These are accompanied by captivating statements in which individuals say how they would like to be reincarnated, and by six “indicative” photographs illustrating the connection between the deceased and their reincarnation, between the visible and the invisible.

Éliane Aisso
Éliane Aisso Bénin
Promotion André S. Labarthe

An artist and photographer born on 18 April 1989 in Benin, I hold a CAP and a DT/STMA, the latter qualification being the equivalent of the Baccalaureate, which enabled me to study history and archaeology at Abomey Calavi University in Benin, where I obtained an MA in art history in my fourth year. I am currently a student at Le Fresnoy - Studio national des arts contemporains.

I have taken in part in group shows as well as residences and workshops in a number of countries and have also presented my work in several personal exhibitions.

Cursus

Expositions collectives
2018
Sac au dos, Espace Tchif, Cotonou, Bénin.
Sac au dos, Maison des Cultures Urbaine, Dakar.
Hommage à Joe OUAKAM, Restaurant Cosmopolitane, Off Biennale, Dakar.
2017
Je te présente ma ville, Institut Français du Congo, Brazzaville.
Eliane Aisso & Charly Dalmeida, Ministère des Affaires Etrangères, Cotonou, Bénin.
Perspectives FANM7, Togo.
Les échos de Lobozounkpa #1, Le Centre, Abomey-Calavi .
In my way, Air France, Cotonou.
2015
Lu Guang, photographe, Espace Kulturforum sud-nord, Cotonou.
Cénacle expérimental, Institut Français, Cotonou.
Célébrons l’Afrique et sa diaspora, Maison Rouge, Cotonou.
Festival Africain d’Images Virtuelles Artistiques, Bamako / Sikasso / Mopti / Ségou.
Journée internationale de la poésie, CCFN, Niamey.
2014
Mava Unite, Cotonou, Bénin.
_ Résidence Panafricaine des Plasticiens de Parakou, Cotonou, Bénin.

Expositions personnelles
2018
Rêves de l'au-delà, Le Centre, Abomey-Calavi.
Unite, exposition en ligne, RAPLAM.
Mon parcours, Café des Arts, Cotonou.
La trajectoire, Campus Numérique Francophone, Cotonou.

    Production : Le Fresnoy, Studio national des arts contemporains