Mizumoto
Pierre Pauze (FR)
Mizumoto
Film -

MIZUMOTO, a portrait gallery in a retro-futurist and queer closed space where the protagonists assemble around the power and potentiality of water: aqua-metaphysics. This discipline reinterprets the state of knowledge in a euphoria induced by the multiplication of devices. Identities are expressed as so many distinct cells, assembled in a relational flux made up of music, exchanges and interpretations. A conductor of information, water evokes both big data and a transient human condition, between a new humanism and capitalist transhumanism. The symbols here evoke unban figures traversed by the primitive instinct for survival. Each character negotiates their place in keeping with their knowledge and obsessions.

Mingled quantic phenomena, the revolution of medicine, synthesis through music: this is a fantasy future in which “sonic fluid,” the originary substance, has assumed authority ever since scientific research into the memory of water ushered in a new digital revolution. Materialised by closed space-time, this is inscribed without linearity, in the maelstrom of links forged between the cycle of water and the information networks of the web. Humanity, the data centre of water and of its hidden memory, henceforth contemplates water as the place of an impossible redemption, subject to its unfathomable power.

Théo-Mario Coppola

Pierre Pauze
Pierre Pauze France
Promotion Michelangelo Antonioni

Born in 1990 in Meudon. A graduate of the École Nationale Supérieure des Beaux-Arts de Paris, with the congratulations of the jury.
Winner of the Prix Artagon in 2015, the Prix agnès b. in 2016, and of the European programme The Spur in 2017. His video work and installations have been shown in France at the Grande Halle de la Villette, at the Carreau du Temple, at the Cinémathèque Robert-Lynen and at the Fondation Brownstone, and abroad, at the Es Baluard Museum of Modern and Contemporary Art in Palma de Majorca, and at the Palais des Paris in Japan.

Cursus

Prix:

DICREAM CNC, pour WATER MEMORY 2017

  • Laureat The Spur / ETACEC's 16-18, 2017
  • Laureat Prix Agnes B, 2016
  • Laureat Prix Artagon II, 2016 

Expositions:

2017

  • FELICITA 17, ENSBA, Paris, France
    Curating: Joan Ayrton
  • Clips Claps, Caro Sposo, Cinémathèque Robert-Lynen, Paris, France.
  • VIDEOBOX FESTIVAL , Carreau du Temple , Paris
  • The Spur, Museu d'art mordern i contemporani de palma, Majorques.
  • Electric night vol. 15 (2/4, 2/5)のご案内, Palais des Paris, Takasaki, Japon

2016

  • Laureat Prix Agnes B, Fondation Brownstone, Paris
  • Festin chez Trimalcion (Atelier La Mine, Montreuil, été 2016)
    Curating: Théo Mario Coppola
  • VIDEOFORMES, Fotomat', Clermont-Ferrand
  • Backslash festival,Tokyo data collective, Zurich
  • Exposition 3D Trans, DNAP, ENSBA, Paris
  • REPONS, proposition d'ABA, Curating: Alicia Knock. Paris
  • Exposition du Prix Artagon, passage de retz, Paris
  • Projection, Yodh Song, LImousine, album siam road
    Bocalupo film production's birsthday, Commune Image, Saint-Ouen.
  • Esprits libres, La recyclerie, Paris

2015

  • Fill up my Wall, Galerie 92, Paris
  • Exposition Prix Amis des beaux Arts (section Prix du portrait)
  • Diffusion Tv MORAMORA documentaire 52 min , KTO TV

2014

  • Call me, Paris, exposition collectives ABA avec la participation de Danh Vo.
    Curating: Angéline Scherf / Anais Lepage

2013

  • 68 bis, Paris. Exposition collectives ABA, avec la participation de Ange Leccia.
    Curating: Odile Burluraux 

2012

  • Tata yoyo,Paris. exposition d'atelier Djamel Tatah.
  • Painting friends 2 - Exposition collective - ENSBA

Vasques Vives Virbela © Michael Monzies, conception of urns Corentin Spriet (TISBio, UGSF) for the biophotonic images Yann Olivaux, biophysician and hydrosopher, authority in the science of water Professor Marc Henry, president of the association natur'Eau Quant

  • Le Fresnoy - Studio national des arts contemporains, Tourcoing Le Fresnoy - Studio national des arts contemporains est né de la volonté du ministère de la Culture et de la Communication d’implanter dans le nord de la France, un établissement supérieur d’enseignement artistique d’un type nouveau, pôle d’excellence d’envergure nationale et internationale, dont les références furent exprimées par quelques formules telles que « un IRCAM des arts plastiques » ou encore « une villa Médicis high-tech ».

Sa pédagogie, principalement fondée sur la production d’œuvres de toute sorte dont le point commun est l’intégration de techniques audiovisuelles professionnelles, en fait un lieu de production, d’expérimentation et de diffusion totalement inédit.

Source: http://www.lefresnoy.net/fr/Le-Fresnoy/presentation
  • DICRéAM Le DICRéAM soutient des œuvres expérimentales aux écritures novatrices faisant spécifiquement appel à l'utilisation de technologies multimédias et numériques.

Source: http://www.cnc.fr/web/fr/aide-a-la-production