Equipment
Contact: Blandine Tourneux
A Sound department with several workspaces: Used for mixing films and videos up tp 5.1 format (SRD - DTS - PCM). For the recording and mixing of all types of sound tracks For sound editing and mixing of video in 5.1 format For the sound editing of films and videos.
Used for installations and demonstration of works.Sound department
Studio-1 - Auditorium for Film mixing - Dolby and CNC approved
Also used for recording sound effects, voice-off, post-synchronisation and dubbing.Equipment
Studio-2 - Music studio and Booth
Equipment
Studio-3 - Video mixing Studio
Equipment
2 x Sound editing suites
Equipment
Sound recording material for Film and Video shoots:
Mobile Equipment
Photo department
Contact: Aurélie Brouet
Download the Photo department leaflet
Photo Studio
equipped with Bowens flash lighting units: 1500 and 3000 joules generators, lamps with light box accessories, umbrellas, dishes, stands
Traditional and Digital cameras:
Captor Phase one p65+ (60 million pixels) which can be adapted to medium format and view cameras
Reflex cameras (24 x 36)
- 1 Canon EOS 5d mark II (21 million pixels, full sensor, sensor video HD)
- 2 Canon EOS 7d (18 million pixels, half sensor, sensor video HD)
- 1 Canon EOS 60d (18 million pixels, half sensor, sensor video HD)
- 1 Canon EOS 1n 24x36 traditional
- A series of Canon lenses (fixed or flexible focals) from 14 mm to 350 mm
- A series of Zeiss lenses (fixed focals) 18, 25, 35, 50, 85 mm
Medium format cameras (6 x 6)
- 2 Hasselblad 503 and 500 cm cameras that can be used with traditional film or in digital format
- a series of Zeiss lenses (fixed focals) 40, 50, 60, 80, 120 mm macro
Large format cameras
- 3 monorail cameras 4 x 5 inch Cambo
- 1 monorail camera 20 x 25 cm Cambo
- 1 monorail camera folding 4 x 5 inch Toyo
- 1 monorail camera folding 20 x 25 cm Toyo
- A series of Rodenstock lenses (fixed focals) 75, 90, 150, 210, 240, 300, 360, 480 mm
- Frame, film and Polaroid backs
PHOTOGRAPHIC LABORATORY
- Laboratory equipped for small and large format prints (up to 1,83 m wide), black and white as well as colour, from digital files as well as negatives.
- 6 computer stations for retouch and calibration
- 1 X5 Hasselblad scanner for negatives
- 1 Nikon ls 4000 and 8000 scanner for negatives
- 1 Epson 4990 scanner for opaque and negatives
- 1 Lambda Durst 1,27 m wide (traditional paper)
- 1 Epson 9800 1,10 m (44 inch) wide tracer (printing paper)
- 3 De Vere enlargers (4x5 inch et 20x25 cm) print size 50x60 cm
- 1 Durst horizontal enlarger (4x5 inch et 20x25 cm) print size 1,83 x 5 m
- 1 colour developer RA4 Hostert 1,83 m wide
- 1 manual black and white laboratory(films and prints)
Video department
Contact: David Chantreau
Editing/mixing suites:
- 5 image editing suites using Macpro with HDSDI video monitor capable of going from SD to 2K (2 on Avid media composer/5 on Final Cut pro)
- 3 compositing/finishing/calibration suites:
- 1 on Smoke Advanced (Smoke/Flame/Lustre) with Cinétal B4220 monitor (4”)
- 1 on Smoke Advanced (Smoke/Flame /Lustre) with Cinétal monitor B2220 (20”)
- 1 on Davinci Resolve/colour with EIZO CG243W monitor and HD video projector
- 1 screening room
- 1 workstation for dvd/Blu-ray/mp4 creation
- 2 DVD duplicator (1x10 DVD + 1x5 DVD)
- 1 DVD printer
- 1 5:1 home cinema with plasma screen and Blu-ray player for verification/validation of burned/encoded supports
- 1 multi-format Nodal
- HDSDI wiring throughout the infrastructure with switching matrix
- 3 digital betacam pal recorders/1 hdcam recorder/1 hdcam player/2 dvcam pal recorders/1 beta SP pal recorder/1 Umatic PAL - NTSC recorder/1 HI8 recorder
- 1 up/down /cross converter for advanced transcoding and format conversion
- 1 H264 encoder hardware
- secured SAN 250 To backup based on fibre channel infrastructure linked to all workstations (maximum speed 700mb/s playing and 500 mb/s recording)
- 1 3D renderfarm (100 threads)
- Software: Apple Final Cut Studio/Adobe creative suite master collection/Autodesk creative entertainment suite/Nextlimit Realflow
Film department
Contact: Aurélie BROUET
Filming
Shooting
- 1 Red one 4K camera
- 1 Panasonic Varicam HD camera
- 1 Aaton xtera super 16 mm camera
- 2 Aaton xtr plus super 16 mm cameras
- 1 Aaton a-minima super 16 mm camera
- 4 Sony ex1 HD cameras
- 1 Canon EOS 5D HD video camera
- 2 Canon EOS 7D HD video cameras
- 1 Beaulieu 16 mm camera
- 1 Beaulieu super 8 mm camera
- Zeiss (35 mm) 18 mm, 25mm, 35 mm, 50mm, 85mm lenses
- Zeiss (super 16 mm) 9,5mm, 12mm, 16mm, 25mm, 35mm, 50mm lenses
- Fuijinon, Cooke, Canon zooms
- Accessories: follow focus, mattebox, filters...
Tools & Machinery
- 2 dolly Panther (III et classic)
- Tracking shot rails
- 1 u-bangui
- 1 mini-jib
- 1 Doorway tracking dolly
- 3 Ronford-Baker feet
- 3 Ronford-Baker heads
- 1 swivel head
Lights
- HMI Cinepar projectors, Luxarc LTM, K5600, from 125 watts to 4000 watts
- Tungstène Fresnel et Open face projectors, from 350 watts to 5000 watts
- kinoflo 120 et 60 cm
Workspaces
- 1 film studio 110 square metres, with a green screen, mobile grid for light features
- 2 editing suites for 16/super16 mm and 35 mm
- 1 film Oxberry 16/super 16 and 35 mm animation stand
- 1 Debrie video animation stand
- 1 16 mm, video rush projection room
Diffusion
Contact: Natalia Trebik
- A lot of material for: movie, sound and video display (video-projector, monitor, plasma)
- A scenery workshop: workshop for the construction of scenery, decor and exhibitions
- 2 cinemas (206 et 96 seats), projection facilities for all film, video, optical sound and dual track, Dolby stereo, simultaneous translation.
Pôle Installation
Responsable : Cyprien QUAIRIAT
(article in progress)
Computer
Contact: Mike DIJON
HP workstations for 2D and 3D computer graphics, special effects and animation/ compositing, and the development of interactive installations Broad brand computer network (1 Gigabit Ethernet / fiber 10 Gb), NAS/SAN (+300 To) stockage, render farm computer stock (Mac Pro, PC Stations, etc.) and specialised software (3DS max, Maya, After Effect, Smoke, Flame, Da Vinci etc.)